The projects showcased here offer a glimpse into what can be achieved through the synergy of your artistic vision and the creative intelligence of mAI Studio.

Each project begins with a simple thought or prompt from a cinematographer. mAI’s Specialized General Intelligence (SGI) interprets this idea and generates multiple variations—exploring how your vision can be brought to life using different techniques, lenses, frames, themes, and movements.

To help you turn your cinematic idea into reality, mAI also provides a step-by-step execution guide, offering detailed skills, tools, and techniques needed to recreate the visual scene.

In some cases, mAI can even suggest real shooting locations across India that best match your scene.

From a single, simple prompt, mAI uses its cinematic intelligence to think, interpret, and ideate powerful visual storytelling possibilities

So you can step onto the set, execute your craft, and leave the world applauding.

Kashmir

(you just give this prompt ; mAI will generate cinematic variations with techniques, styles, lens, and all for you to ideate)
Prompt: Two young Indian men sit silently by a campfire in the desolate Kashmir wilderness.

FRAME wide static shot
LENS 35mm
ANGLE eye-level, symmetrical composition
LIGHTING natural moonlight mixed with warm campfire glow
MOVEMENT no camera movement, still and observant
COLOR earthy tones, warm amber contrasts with cool blue night
DEPTH shallow to moderate, focused on faces and fire, background fades into shadow

Results

MOOD quiet, introspective, dry tension
MOMENT shared silence after unspoken conflict or realization
EMOTIONAL BEAT restrained sorrow, unresolved past
TIME deep night, post-midnight
ATMOSPHERE stark, ironic stillness, beauty with emotional weight

The kind of stillness that made one feel as though the world itself had stopped moving.

Roderick Jaynes (Coen Brothers) Style

Bird’s Eye View

Fisheye Close-Up Stare Shot

Lens 24mm, Extreme Wide Shot, Establishing Shot

Camera: Use high-resolution cinema cameras (RED Komodo, ARRI Alexa, etc.)

Lens: Ultra wide-angle (16mm–24mm) for maximum field of view.
Anamorphic (1.3x or 2x squeeze)

Rule of Thirds & Leading Lines: Use terrain, architecture, or shadows to guide the viewer’s eye

Lighting: Natural light preferred. Use soft diffused daylight for mood or direct sun for harsh contrast

Filters: ND filters to maintain shallow depth in bright conditions

Aspect Ratio:

2.39:1 for a cinematic scope

Aperture: f/5.6–f/11 to maintain depth of field across foreground to background.

Composition: One point perspective (Kubrickian scale)

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You didn’t come this far to stop

Stillness

Wide static interior composition showcasing the entire living
room with sofa and subjects centered, emphasizing space and stillness.

FRAME: wide shot
LENS: 35mm, full-frame
ANGLE: eye-level
STYLE: cinematic realism
RENDERING: film grain, subtle bloom
CONTRAST: low to medium contrast
DETAIL FOCUS: light diffusion, fabric texture, facial emotion

Train Station Farewell

Tragic concept, a scene featuring a melancholic Indian man and woman looking at each other in desperation before they part ways

FRAME: medium close-up
LENS: 85mm
ANGLE: eye-level
STYLE: romantic realism
RENDERING: film grain, subtle bloom
CONTRAST: low to medium contrast
DETAIL FOCUS: light diffusion, fabric texture, facial emotion
MOOD: melancholic, intimate
MOMENT: emotional farewell
EMOTIONAL BEAT: heartbreak, longing, restrained emotion

Mumbai Chai wala

Bustling streets of Mumbai, a chai vendor pours steaming tea into a clay cup.

35mm anamorphic

(for depth and cinematic compression)

Ultra-Wide Cinematic Depth (14mm Anamorphic, Deep Focus)

Wide Shot, Low-angle

Spaghetti Western-style 85mm portrait

Environmental storytelling through objects

Environmental storytelling through objects

Woman small in frame, standing near desk looking at bookshelves for father's possessions

Roger Deakins-inspired composition

Environmental storytelling through objects

Malayam Woman small in frame, standing near desk looking at bookshelves for father's possessions

Roger Deakins-inspired composition

Micro-expressions, eye movement

Woman's face looking down then up as realization hits.

FRAME Close-Up
LENS 85mm at f/1.4
STYLE: Cinematic, reminiscent of Terrence Malick RENDERING: Slightly diffused highlights
CONTRAST: Soft with gentle falloff

Soft bokeh of elements in background

Sharp focus on eyes, tears beginning to form

COLOR: Muted palette with amber accents

Body language showing emotional impact

FRAME Medium-Wide Shot
LENS 35mm at f/1.4
STYLE: Psychological thriller aesthetic
RENDERING: Sharp with heightened contrast
CONTRAST: High with crushed shadows

Moderate depth of field

Juxtaposition between woman and reflected elements

Woman seen in reflection of study mirror/window as she examines photograph.

FRAME: Medium Shot through reflection
LENS: 75mm at f/5.6
STYLE: Psychological thriller aesthetic
RENDERING: Subtle color emphasis
CONTRAST: Balanced with emphasis on midtones

Tamil Woman seen in contemplative, dual reality mood

Wong Kar-wai-inspired visual poetry

Wong Kar-wai-inspired visual poetry
Self-reflection alongside memory

Sikh Woman small in frame, standing near desk.
Everything in sharp focus from foreground to background

STYLE: Roger Deakins-inspired composition
RENDERING: Crisp, detailed with attention to texture
CONTRAST: High contrast with deep blacks

Woman small in frame, standing near desk.
Everything in sharp focus from foreground to background
Full view of study - bookshelves, desk, father's possessions.

STYLE: Roger Deakins-inspired composition
RENDERING: Crisp, detailed with attention to texture
CONTRAST: High contrast with deep blacks

Woman small in frame, standing near desk.
Everything in sharp focus from foreground to background
Full view of study - bookshelves, desk, father's possessions.

FRAME: Wide Shot
LENS: 24mm at f/8

Inspector Arjan Singh, Sikh, Weary, contemplative, exhausted but determined

POV: Audience POV, immersive, as if watching from across the desk, drawn into his silent struggle.
LENS: 50mm lens,
SHOT: Medium close-up shot
ANGLE: Straight-on